This was a straight up sculpting job. No little neat tricks to easen the mind, just pure leg work. One thing though. The membranes connecting the horns were made by placing an excessice amount of sculpy on the horns themselves and then gradually smoothen the excess out thowards each other to make them connect. That way the membrane would look thinner in the middle and thicker at the edges, as it should be.
Ah yes again: Big shapes first. Details in the end. Here the details were the scales and the small horns.
I sharpened the teeth with a knife once I'd cured the head in an oven. Dont screw it up by being impatient and trying to do everything at once. Plan your progress, but leave room for cool accidents to happen.
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